Reviews tagging 'Addiction'

The Story of the Lost Child by Elena Ferrante

7 reviews

cjmattos's review against another edition

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emotional sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

This was heartbreaking. And sometimes (few) boring - I felt that some parts were unnecessarily prolonged. Mostly sad. 

The writing was incredible, as always. However, I wished some of the mysteries had been solved. I felt it lacked some sort of closure. 

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virginia_vex's review against another edition

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challenging emotional mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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ayanaph's review against another edition

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challenging dark emotional hopeful mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

The book went through lulls and parts where I couldn't put it down and zoomed through - mostly the parts where Lenu and Lila are bouncing off each other. 

I messaged a friend halfway through about how each woman decides to deal with their childhood trauma from growing up in the neighbourhood in different ways. Lenu tries to escape the neighbourhood and craft a new life but realises the neighbourhood is part of who she is. Her family suffer as she leaves them behind. And Lina tries to stay in the neighbourhood and improve it while never seeing the world. Her family suffer in the neighbourhood even though she does try to help them. 

The scenes of Lenu spending time with her mum in her mums last months of life are really poignant. 

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therecoveringbookworm's review against another edition

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emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? N/A
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.0


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steph_ha's review against another edition

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emotional reflective tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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jeanlobrot98's review against another edition

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reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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quickermorequickly's review against another edition

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dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

LenĂ¹ comes to the end of the very long story we are reading, recounting as she and Lila go through their prime as adults, with parallel pregnancies in their early 30s, and eventually the difficult transition into old age.

Ferrante does unsettling very, very well. Reading this series (as well as The Days of Abandonment) is like taking  stiff shots of very different, equally strong emotions, and then realizing you're drunk, and stumbling through a sinister amusement park. In a good way, I swear!

I found Those Who Leave and Those Who Stay and The Story of the Lost Child to be less enchanting than the earlier installments of the series, if only because I haven't yet been through most of those life stages yet and so the pings of deep recognition or identification were less frequent. But I think the more time I spend on this planet seeing sad and strange things happen, the more I will recognize.

Hats off to Ann Goldstein for this very long project of translation.

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