the back and forth perspectives by the two main characters is well-done and distinctive, portraying an enemies-to-friends(+) that is only half antagonistic to begin with. the random assortment of orphans led by Eris seems a bit overkill on the zany wunderkid trope but it's believable that a few come across as two-dimensional from her narration as a defense mechanism and from Sona's as a newcomer. thrilling heroics against terrible odds, gruff sweethearts, and complex villain/protagonist dynamics! sword fighting? emotional damage, and I'm not just talking about that cliffhanger ending. good thing the next book is already published

Man was this novel fast-paced! It truly left the ground running and took the story in a direction I wasn’t entirely expecting. I was so hooked very time I picked the book up. I thought the mecha fight scenes were written really well (they were incredible to imagine), although I will say the fight-rest-repeat pattern of the latter part became a touch repetitive. I thought Mikuta could have teased out campus politics to provide some variety. But I really enjoyed the plot overall. 

The characters were definitely the strength of this book. The two POV characters, Eris and Sona, were distinct from the off which was a great sign. It only got better when the narrative drew out their complexities. Both are filled with anger and the purpose of toppling Godolia. Eris has been trained to be a leader and feels so much responsibility and love for her crew. Her emotions feel like a vulnerability for her and so she grows thorns even though she just wants to be soft. I felt particularly compelled by Sona, though, being a person straddling the lines between human and bot and desperately trying to land as the former. She is terrified of herself and what she’s done, so her deepest wish is to be loved regardless. I found the scenes where she grapples with herself so heartfelt. I just got so attached to both MCs in a way that doesn’t often happen to me. I think the raw writing style really showcased the emotional state of the characters, giving the reader something real to resonate with.

Because Eris and Sona were such dynamic characters, the romance they shared was utterly believable. While there is instant attraction (at least on Sona’s part), it wasn’t instalove. Instead, Mikuta makes sure to include a range of scenes where the MCs explore and deepen their connection. The tension she crafted was spot-on. In my opinion, this was a good execution of the enemies-to-lovers trope. 

In terms of world-building, I understood why the mechas were created and how they shaped the world as it was in this book. However, there was bigger-picture context missing in terms of how far in the future we were and what the global situation was. I also wanted more description of how religious colonisation impacted culture in Godolia and beyond. I was interested to know if religious and political conformity meant cultural conformity as well, as there was some evidence to the contrary in this book. I wanted to know what clothes, food, languages, etc. existed and why. So in this way the world-building was not fully realised and ended up being a bit plain.