I enjoyed this book quite a bit and wanted to give it 4 stars. My reason for knocking off the quarter star is that there are some repetitive descriptions of one of the main supporting characters. That detail can get a little tedious.

Otherwise, this is a fun read with an alternative take on the Gothic Romance genre. To be honest, I was over half way through the book before anything overtly romantic happened. The romance is pretty restrained, closer to something thing in Victorian-era novels, which I really appreciated.

If you saw 'faeries' and 'romance' and thought of ACOTAR, you're going to be disappointed. This book is not that. I think if you liked Jonathan Strange & Mr Norrell, you might like this book.

I'm interested to see where this world goes and will be reading Rosemary & Thyme when it comes out. 

This was different than Atwater's other Regency novels, which I loved. This one had less romance and upped the Gothic faerie vibes. It didn't have the cozy vibes I loved but I still really liked this one. It does deal with some heavier topics (see TW)

 Of particular note: This book takes place in the early 1850s, which places it as much as 30-40 years after Half a Soul and 25-30 years after Longshadow 

The Witchwood Knot is everything I’ve come to expect from Olivia Atwater’s writing. It’s at once heartfelt, cunning, and cozy in all the best ways. While this is the beginning of a new Faerie Tale era, it builds off of the world and characters we’ve come to know in the Regency series. I lobe interconnected universes like this. However, with that in mind, I wouldn’t recommend starting here. I think to fully grasp the scoop of this world, you’ve got to read the first trilogy. That way you know the history and the landscape of the world. Each story is technically a standalone about a different couple, but they’re all building toward larger stories, it seems. 

Of Atwater’s Faerie Tale world, Winifred my be one of my favorite heroines yet, next to Dora. She’s clever, cunning, and willing to do what she needs to do in order to survive a world of faeries and monsters. She has a traumatic past, but seeing her reclaim her own desire was amazing. 

This is a delightfully gothic tale, with all the classic trappings of the genre. The mysterious, dilapidated manor, the gothic father/monster duology, and an atmospheric sense of isolation. Atwater combines this flawlessly with her existing world. It’s creepy, it’s heartfelt, and it’s a great time. While I occasionally found myself a bit confused, I felt that by the end I had all the answers I needed. I can’t wait for the next book!

Thank you to NetGalley and the publisher for a digital ARC of this book. This is my honest review.