Screening the Sacred: Religion, Myth, and Ideology in Popular American Film by Joel W. Martin, Conrad Ostwalt

Screening the Sacred: Religion, Myth, and Ideology in Popular American Film

Joel W. Martin, Conrad Ostwalt

208 pages first pub 1995 (editions)

challenging informative reflective slow-paced
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What are the religious impulses in the 1976 film Rocky, and how can they work to shape one's social identity? Do the films Alien and Aliens signify the reemergence of the earth goddess as a vital cultural power? What female archetypes, borne out o...

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