The Voice in Cinema by Michel Chion

The Voice in Cinema

Michel Chion with Claudia Gorbman (Translator)

208 pages first pub 1999 (editions)

nonfiction art music reflective medium-paced
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How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such...

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