The Third Line: The Opera Performer as Interpreter by Daniel Helfgot, William O. Beeman
The Third Line: The Opera Performer as Interpreter

Daniel Helfgot, William O. Beeman

The Third Line: The Opera Performer as Interpreter

Daniel Helfgot, William O. Beeman

242 pages first pub 1993 (editions)

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Description

This text offers clear guidance in making music visual. It proposes that performers study the opera's score third line - movement, focus, facial expression and vocal inflections that can be naturally derived from the interaction of text and music ...

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