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A review by prufrockcoat
The Silent History by Eli Horowitz, Matthew Derby, Kevin Moffett
2.0
I'm not entirely sure how I feel about this one. I read it as a book, not as it was originally published in app form (because screw you if you didn't have an iPhone two years ago), so I'm not sure how that impacts my reading (in long chunks) vs. the intended ten to fifteen minute blocks.
There's just a huge variance in tone--there's little background details of advances in culture and society that are extremely well-thought out, nutrients loafs and music services and discounted car rentals for being implanted with a chip that makes you incredibly thirsty whenever you see a certain brand of drink. But there's also shitty pseudo-science and a dude who gets into hand-to-hand combat with a hoard of wallabies that he had previously been raising for meat. He is unable to defeat the final wallaby, and so they bond and travel across the country together. And this is a keystone character. If anyone's the protagonist, it's the wallaby guy.
But the authors also do fun things with the characters, giving you first-person perspectives from multiple people, often on each other. You listen to one person wax poetic about the nobility of his mission, and then someone else chimes in that he's really in it for the attention. (Though this is somewhat problematic, as there's a theme of secret-shameful-homosexuality involved. But then there's also group orgies.)They explore that it means to be human, what it is to communicate, if it is human to speak or if speech is just an imprecise funnel for concepts and depths of emotion that are eventually stifled, left to wilt, unnamed and unexplored. If the silents are less than human because they cannot speak, or more, because they do not need to. (All while being tragicomically aware of how hippy-dippy that sounds.)
Maybe this worked better doled out in pieces, slowly, inviting the reader to savor it. Maybe I would like it more if I re-read it. It just felt very unwieldy, sprouting legs in weird places and shambling around.
There's just a huge variance in tone--there's little background details of advances in culture and society that are extremely well-thought out, nutrients loafs and music services and discounted car rentals for being implanted with a chip that makes you incredibly thirsty whenever you see a certain brand of drink. But there's also shitty pseudo-science and a dude who gets into hand-to-hand combat with a hoard of wallabies that he had previously been raising for meat. He is unable to defeat the final wallaby, and so they bond and travel across the country together. And this is a keystone character. If anyone's the protagonist, it's the wallaby guy.
But the authors also do fun things with the characters, giving you first-person perspectives from multiple people, often on each other. You listen to one person wax poetic about the nobility of his mission, and then someone else chimes in that he's really in it for the attention. (Though this is somewhat problematic, as there's a theme of secret-shameful-homosexuality involved. But then there's also group orgies.)They explore that it means to be human, what it is to communicate, if it is human to speak or if speech is just an imprecise funnel for concepts and depths of emotion that are eventually stifled, left to wilt, unnamed and unexplored. If the silents are less than human because they cannot speak, or more, because they do not need to. (All while being tragicomically aware of how hippy-dippy that sounds.)
Maybe this worked better doled out in pieces, slowly, inviting the reader to savor it. Maybe I would like it more if I re-read it. It just felt very unwieldy, sprouting legs in weird places and shambling around.