Reviews

Unfinished Portrait by Mary Westmacott

michaelontheplanet's review against another edition

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2.0

A word cloud for Celia, heroine of Unfinished Portrait: queer, mummy, darling, cruel, lovely, simply, poppet, horrid, husband, languished, posies, croquet, co-respondent, sigh, adenoid, terribly, golden syrup, jewellery, cutlet, cook, awfully.

After Woozy Worswee’s hymning of the “six romantic novels under the pseudonym Mary Westmacott” as her publisher’s blurb used to uninvitingly describe them, I thought I’d give Agatha Christie’s roman à clef a go. Just as I don’t buy the “because she’s a writer of bestselling crime fiction she must be a hack” analysis that proliferated among (mainly male) literary critics in the later part of the 20th century, I’m not subscribing to the “hitherto unsuspected literary masterpieces” thesis Woozy was energetically promoting in her recent Christie media Blitzkrieg. Unfinished Portrait is moderately readable, workmanlike and apparently interesting to Christie nuts who think it offers some insight into her character. Given she’s an author who specialises in legerdemain, I’d be wary of that if I were you.

Christie’s misfortune is in trying to do what others have done so much better. The craft of genre fiction - at which she is masterful - benefits from techniques such as minimal description, characterisation so far as it pushes forward the plot, repetition, and distraction of the reader. Deployed in a literary work, these only serve to highlight the author’s deficiencies of style and substance. Jean Rhys does woman on the verge of a breakdown with more depth and clarity, and Evelyn Waugh describes the coldness and absurdity of upper middle class mariages blancs more convincingly. And if you want someone being driven to destruction by a sociopathic monster, Daphne Du Maurier offers them in entertaining spades.

What we get is tepid middle class emotions expressed in the most etiolated terms. People may talk like this in real life, as one critic wrote of Christie, but that doesn’t mean one wants to read about it. The cover art is quite nice though.

elizafiedler's review against another edition

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emotional sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

Honestly, I probably wouldn't have enjoyed it this much if it weren't semi-autobiographical. 

kocherreads's review against another edition

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dark emotional sad tense slow-paced
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

ro_lux's review against another edition

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emotional medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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travelsalongmybookshelf's review against another edition

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emotional funny reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

This is a novel written by Agatha Christie under the Pseudonym Mary Westmacott and is my January read for readchristie2025 with the theme of an artist
It was published in 1934 and tells the story of Larraby, a portrait painter, who meets Celia one night. She is considering taking her own life, he talks to her through the night and we hear her story and her fears and Larraby leaves her with the hope of helping her come to terms with her past.

I listened to this on audio and I found it to be a really wonderful story, it’s pretty sad but I was absolutely addicted. I loved the character of Celia, especially when she was a girl. It’s semi autobiographical and having read quite a bit about Christie, it does seem to stay pretty close to happenings in her life. Dermot was my least favourite, he is feckless, selfish and basically gaslights Celia through their relationship. I found myself shouting at him whilst sat in a traffic jam on Streatham High Road, probably much to the shock of a few pedestrians!
It is a snapshot of the life of an  early 20th century woman. I could hear Celia’s voice very clearly and I think this is probably because Christie was writing about things so close to herself as the story mirrored her own life. It is at times funny, sad, hopeful and it honestly surprised me. I had felt put off from reading any of her work that wasn’t traditional murder based but I have seen the light and I am going to read a few more Westmacott’s now. I think it just goes to show what a fabulous writer she was.

clotalksbooks's review against another edition

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emotional reflective slow-paced
  • Plot- or character-driven? Character

4.0

This isn't my usual kind of book if I'm honest. Very character-driven, and reflective. At first it didn't grab me, but I'm glad I persevered as I came to be completely immersed in Celia's story. I found her charming in her innocence. It almost felt like reading her journal. The writing is very good, as you would expect, and despite the subject matter I did find myself laughing at a turn of phrase or anecdote. It took me completely by surprise how much I wanted to pick up the book again (though I did find myself waiting for Poirot to appear in the drawing room). I may have been frustrated at times at character choices, but it just felt raw, human, and honest. A believable fiction that had me hoping for the best for Celia (aka Agatha from what I've seen).

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android's review against another edition

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5.0

My first novel by Agatha Christie that's written under her Westmacott pen name. And what a novel it is!

It takes place in First WW era England and tells the life story of a woman, from childhood to adulthood. The characters the author creates and describes are astoundingly complex and sophisticated, original yet somehow familiar. I've had my gripes about her character writing before - the shallow, throwaway characters that occupy many of her other novels - but this is next level. You can feel Christie's mastery in this, her raw talent for capturing scenes and people, and effortlessly making them come to life. If I didn't know any better, I'd think this novel almost autobiographical.

While this type of fiction is definitely not my usual fare, I thoroughly enjoyed this. The Queen of Crime is full of surprises after all.

melslostinabook's review against another edition

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5.0

I knew going in that this book was a biographical sketch of Agatha Christie’s life, just as it says in a quote by Agatha’s second husband Max on the back of my book: “In Celia we have more nearly than anywhere else a portrait of Agatha.” And having read both Agatha’s autobiography and the Worsley biography, and knowing what happened in her life, I was prepared to have my heart broken, because let’s face it, Agatha’s first husband did her dirty. And this book did tug on my emotions because I knew that I was getting a glimpse into her most private feelings.

In her autobiography, Agatha glossed over her breakdown and disappearance in 1926, but in this book, written under a pen name, she poured her heart and soul into telling what we assume is her side of the story. At times it is brutally raw, so if you want to know how she truly felt about her life and what happened to her, I recommend reading this book. I thought it was fascinating!

rubina_g_gomes's review against another edition

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3.0

Saw a different side of Agatha Christie today.
It is clear from this book that Agatha sketched out her characters in depth and gave life to them.
I missed the Mysterious Agatha, but have no regrets reading this book.
A must read!

vanitha's review against another edition

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4.0

I saw a totally different side of Agatha Christie and I am glad I did. Very beautifully written.