Scan barcode
kijoweaver's review against another edition
3.0
I feel like I need to give this three different reviews. I thought this was going to be a five star book for the first half. In the second half, I was hoping it wouldn’t take some turns, but it did wind up taking those turns, so I figured that I’d just give it four stars. The weaknesses in the second half of the story didn’t detract too much from the first half enough to ding it too much. But then the author’s postscript really ruined it for me. I can maybe see going on a rant about “gatekeeping” and the story she wanted to tell if she’d written a book about an indigenous Mexican woman living in her community (a la American Dirt). But her book was about a white American ex-Pat woman who moved down to Mexico and the interactions that followed. Who exactly is gatekeeping that? What appropriation is involved? I’m surprised she commented about her editors not being sure about releasing the book, yet they were ok with her writing that post-script? It never occurred to me to gate-keep this book but I’ll tell you that, even as a white woman, I found the language and tone of that post-script itself to be offensive. How about taking out the gate-keeping crap and editing the post-script to say that since the story was about a white woman living in Mexico and she’s a white woman living part-time in Guatemala, she felt that this story was within her lived experiences and was also a story she wanted to tell. It’s not like she chose something outside of her wheelhouse in the first place, so cut out the defensive rant. It’s not doing this book any favors unless its sole audience is other angry white boomers.
yeahkaren's review against another edition
4.0
This is another book where place plays a central role in the story--a volcano in Central America--and a woman who finds herself the owner of a hotel there. Lots of characters woven into this, some of whom seem to be extraneous at first, but the author pulls them all together by the end. Not a lot happens, but it's a very vivid book. The last quarter of the book I didn't want to put it down.
jackieroot90's review against another edition
3.0
I loved the first 90% of this book. The vignettes about each of the characters in the town were so evocative, thoughtful and meditative. However, the narrator’s voice wasn’t super strong and, to be honest, she didn’t really feel like a full fledged character to me. Which made me not really care about what happened to her - so the ending didn’t really hit the landing for me. I kind of wish she kind of faded into the background of the ending, rather than the focal point being on her. The ending, to me, felt quite contrived and sappy, in an otherwise understated book. Otherwise this was an enjoyable read, and recommended for those who want an expat perspective in Central/South America.
mweaver's review against another edition
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
rnjana's review against another edition
adventurous
emotional
hopeful
informative
inspiring
reflective
sad
slow-paced
5.0
hollydonovan's review against another edition
5.0
Beautiful book! however the author's note at the end irked me
creaseinthespinebooks's review against another edition
5.0
Book Review ⭐️⭐️⭐️⭐️⭐️ read September 16th,2023
This is a beautiful story about life and love, set in a village through beautiful, simple prose which capture a tangible sense of love and hope.
THE BIRD HOTEL is a magical rare gem that is unforgettable. The characters linger long after the book is closed. Maynard is a master of tales, and her talent is fully displayed in this delightful story.
This is a beautiful story about life and love, set in a village through beautiful, simple prose which capture a tangible sense of love and hope.
THE BIRD HOTEL is a magical rare gem that is unforgettable. The characters linger long after the book is closed. Maynard is a master of tales, and her talent is fully displayed in this delightful story.
stephsuber's review against another edition
4.0
The book started out very slowly, and I was struggling to hang in for the story. Once the main character gets to La Llorona and starts to fall in love with the people and place, though, the story becomes much more engaging. It was worth the wait to read the tale of an interesting place and how a woman who has never known home manages to find one.
meanbeanreads's review against another edition
reflective
sad
slow-paced
3.5
There were a lot of things I loved about this book, like the lush setting and the vignette-style storytelling. Things started off strong; I enjoyed reading about Irene's life and the events that led her to La Llorona. What a contrast this beautiful place was to her old life! The writing was so vivid and I could visualize everything with ease. Ultimately, however, it was a little long for my taste. Near the end I became especially aware of the white savior elements, and it dampened my enjoyment of the book. Other folks have commented on this in more detail, and I suggest checking out those reviews to get an idea of what this book gets wrong, and how it could have been better. I don't think a white writer should be forbidden from writing about other cultures, but there needs to be a heightened awareness of how one's perspective might influence the narrative. I also want to add that the author's note at the end left a terrible taste in my mouth. I would highly suggest reading that first before you decide to jump in to the story itself. If I had, I probably would have passed this one by. Authors don't have to be perfect, but sometimes you just gotta keep your boomer-ass opinions to yourself.
I didn't love how conveniently everything wrapped up. Normally I like everything tied up with a little bow, but here it seemed to work against the novel's themes about grief and letting go.
A few things that irritated me about the end:I understand that Irene getting pregnant again is supposed to show reconciliation with her grief, but to me it felt cheap. I definitely got the impression that the author couldn't conceive of a happy ending without a baby, because "that's just the way things are".
The way the Mirabel/Elmer plotline wrapped up was not my favorite either. It reeks of "just try hard enough and you'll get the girl!" This could have been a cute slow burn romance if the author had taken the time to sow those seeds along the way. The whole time we are told of Elmer's endless devotion, but there was no indication, no hint that Mirabel would ever change her mind.
One last thing: Why didn't Leila leave the hotel to Maria and Luis? I don't remember any specific reason--perhaps I missed it? I feel that would be the logical person to leave it to, but no. Though I enjoyed reading about Irene's journey as the owner, its plain it just happened because the author said so, not for any in-universe reasoning.
I didn't love how conveniently everything wrapped up. Normally I like everything tied up with a little bow, but here it seemed to work against the novel's themes about grief and letting go.
A few things that irritated me about the end:
The way the Mirabel/Elmer plotline wrapped up was not my favorite either. It reeks of "just try hard enough and you'll get the girl!" This could have been a cute slow burn romance if the author had taken the time to sow those seeds along the way. The whole time we are told of Elmer's endless devotion, but there was no indication, no hint that Mirabel would ever change her mind.
One last thing: Why didn't Leila leave the hotel to Maria and Luis? I don't remember any specific reason--perhaps I missed it? I feel that would be the logical person to leave it to, but no. Though I enjoyed reading about Irene's journey as the owner, its plain it just happened because the author said so, not for any in-universe reasoning.
Graphic: Child death and Rape
Moderate: Car accident and Death of parent
Minor: Pregnancy